Love, Deutschmarks and Death
⭐8.1
Cem Kaya’s dense documentary essay celebrates 60 years of Turkish music in Germany. An alternative post-war history that is at the same time a musical Who’s Who – from Yüksel Özkasap to Derdiyoklar and Muhabbet.
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- Credits
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İsmet Topçu
himself
Ömer Boral
himself
Yüksel Ergin
himself
İhsan Ergin
himself
Metin Türköz
himself
Adnan Türköz
himself
Yüksel Özkasap
herself
Cevdet Yıldırım
himself
Cavidan Ünal
himself
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